‘Strong Threads’ – Lent 2018

Lenten Reflection and Creative Process

For three years running Christ Church Cathedral has hosted during Lent a programme of creative reflection. The theme varies from year to year, but each year has involved a small group of artists engaging in scriptural reflection or indifferent practices of prayer around a selected theme. Below are reflections shared by some of our artists:

Strong Threads, Lent 2018

Marian Nilsson Waller, Choreographer

Strong Threads was the third year of creative collaboration with Christ Church Cathedral during Lent. After 2 previous years of site specific promenade pieces that made use of and explored the unique architecture of the church I longed for a process that put more emphasis on the body and choreography. I felt drawn to create movement portraits of some the women surrounding Jesus, and was happy to see the concept expand to include some of the Old Testament women as well. I like the idea of thinking of the sacred story as a tapestry where all the threads and life stories throughout time is part of constructing the image. The fact that we chose this theme in a year where #metoo and #repeal8th swept over us seem timely.

We designed a process where conversations around each biblical character organically took us through a range of topics each week. It was fantastic to get input and shared thinking from a diverse group of fellow humans. While it all served as fodder to the final dance piece, each week and each conversation on its own felt like a precious thing in itself to me, and allowed me to engage with my dancers in a deeper way outside of the making of movement. Facilitating these kind of open “think tanks” as part of choreographic creation is a method I would like to keep and incorporate in my other projects as well, together with more time to contemplate and sit quietly in a space. At the end the solos where made by creating individual “scores” where text and music was also part of the presentation. Fragments of the original texts, the weekly conversations as well as poems and images that we used for inspiration was shared with the visitors as well, encouraging them to take their own journey into contemplation as part of the final presentation. I can only again express my appreciation to Christ Church for daring to open its doors to create a meeting space for artists and wider society and to allow different kinds of conversations and creativity can take place. This is a rare and precious thing, and very few places like this exist.


Call and Response, Lent 2017

Rachel Austin, Songwriter and Sound Artist

When Abigail Sines introduced me to Maria Nilsson Waller during the planning stages of Call and Response, we immediately found a rapport. Together, we dreamt up a process that would invite attendees to actively participate in a ritual that would reflect upon both the joy and gravity of Christ’s death and resurrection.

To begin, we gave a workshop in the Lady Chapel called Giving Voice, which focused on breath work and singing. I recorded it and used it as the bedrock for the collaboration with Maria.

Next, I re-recorded the sound from the workshop in the same spot where it took place; this process allowed me to hear the notes of the building and, in a very real sense, perform with the space. Christ Church Cathedral’s ornately carved arches, ancient tiles, and varying sizes of chapels sent the notes echoing across the building. I was creating a literal duet between the voices and the pure tone of Christ Church Cathedral.

Most Wednesdays in Lent found me sitting quietly with headphones recording at my computer, occasionally drooling as I listened to the Cathedral’s clearest resonances ringing out. On the fourth Wednesday, the frequencies began to shimmer off the multifaceted chapel ceiling and I really began to drool, hypnotised by the surprises drawn from the transcendent space.
Throughout this time, I also recorded questions that tourists and workshop participants found pressing upon them during Lent:
“When I wake up in the morning… what can I expect?”

“The more you try not to worry, not to be anxious – it seems like it just makes you more anxious. How are you supposed to be free from being worried?”

“I am gazing at the icon of the three angels at the table, reaching out to one another – the Trinity. But where is God? In the violence of this world, where is God – who is love? Why do ‘Christians’ hate and judge one another? Why do they judge others? Did Christ come to save just those who follow him? What about all the good Muslims, Hindus, Humanists?”

Maria and I met regularly to discuss how our work and thoughts were shaping up. We were both in turbulent moments; she was making decisions about her living situation. I was reeling: I’d spent the previous year traveling and had returned to Ireland after 3 months in the US, living there during the initial months of Trump’s presidency. Participating in all kinds of protests from ones with threats and impending gun violence to the larger scale one in DC, I stepped back onto Irish soil a changed person.
So our theme of giving voice to questions, of voicing the deeper untouchable parts of ourselves – this hung heavily upon us while we tried to make sense of the death and resurrection of Christ.

I spent my evenings sitting and listening solely to the Cathedral. As I sat, I wrote and wrote. I asked difficult questions and, for the first time in years, just sat with them. They manifested in my dreams, they manifested in my writings, they manifested in my conversations with Abigail and Maria. I realised that what comes out of Christ’s act is people’s desperate need for redemption, our desperate hope that whatever storm rages around us, that it’s leading us to a better place.